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Review: Reincarnation

( 輪廻   Rinne )di Takashi Shimizu - Giappone 2005 - horror - 95min.

Un professore impazzisce nel tentativo di penetrare i segreti della reincarnazione, e finisce per compiere una strage, riprendendo l'accaduto con la sua videocamera super8, nell'hotel dove alloggiava con moglie e figli, che uccide assieme ad altri ospiti dell'albergo. 35 anni dopo un regista decide di dirigere un film sulla vicenda, e Nagisa Sugiura (Y û ka), la ragazza che deve interpretare la figlia del professore, comincia ad avere strane visioni del macabro avvenimento.

Fiacchissima ghost-story che non fa alcuna paura, l'unica cosa interessante che propone sono degli pseudo-zombi (non mangiano nessuno), mostri culturalmente estranei alla cinematografia giapponese. Per il resto c'è poco da salvare, anche perchè la causa scatenante della follia dell'uomo è totalmente assurda e non aiuta ad immedesimarsi nella storia e nel dramma della protagonista. Shimizu pare in difficoltà: non riesce a creare situazioni spaventose, tuttalpiù rende con efficacia un po' di atmosfera misterica nella seconda parte della pellicola.
Evitabile, comunque.

Voto: 1,5/5

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review: Summer's Blood (aka: Summer's Moon)

di Lee Demarbre - Canada 2009 - thriller - 91min.

Summer (Ashley Greene) è una ragazza che ha abbandonato his mother's house to go in search of his father, who has never known. Arrived in the village of his native country of his father, is kidnapped by the mad Tom (Peter Mooney), which binds young women in the cellar, with the complicity of the mother.

It 's a film that, while referring to the long tradition of families of lunatics who inhabit the rural areas of America, try to be more morbid the other dealing with the incest taboo. However dares too little, and the attempt is feeble and known. The main problem with film is that it has chosen a thorny issue but have decided not to deal decisively with a likely lack of courage, pity, because the acting is good and the plot is not bad. Film
unsatisfactory and devoid of elements that justify the council vision.

Rating: 1.5 / 5

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Review: L ' angel of vengeance

(Ms. 45) Abel Ferrara - USA 1980 - thriller - 84min.

NY: a mute girl named Thana (Zo ë Lund) undergoes a double rape on the same day, one by a guy on the street and dragged her into an alley, the other in his apartment by a criminal who has infiltrated. Thana succeeds but to kill his second assailant and took possession of his pistol, 45 caliber. Since then changes completely and turns into a vengeful and murderous woman who's cool as long as many different men is killed, ironically, by a woman.

Trash define ridiculous is an understatement. The only reason you might see this film is the final part that sees the main character dressed as a nun and armed with a pistol he assigns his divine punishment for the losers during a costume party. Ferrara is the porn and it shows. Also good for giving the many absurdities of the film (for example, that Thana become overnight a ruthless killer by the unerring aim) was impossible to survive the acting mediocre, the script is reduced to a string of murders, the poor soundtrack and poverty technique at all (Ferrara has never been particularly gifted technically, but here, where there is practically only the front shooting at eye level with some detail, what is clear). Film director
a horrible overrated.

Rating: 1 / 5

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review: Soldier Blue

(Soldier Blue) by Ralph Nelson - USA 1970 - Westerns - 114min.

To tell the shameful episode of the Sand Creek Massacre (November 29, 1864), made by the Blue Jackets headed by Colonel John Chivington against a tribe of Apaches and Arapaho, Nelson adopts the point of view of two characters fiction: a young soldier of noble values \u200b\u200bHonus Gent (Peter Strauss) and the attractive Kathy Lee (Candice Bergen), a woman who lived for a long period with Ceyenne.
Most of the film is about their adventures following an Indian attack at a caravan that leaves as the only two survivors. Their return home is long and fraught with danger, their characters seem irreconcilable and the company impossible. E 'tale of an adventurous journey with many aspects predictable but always enjoyable and stimulating, in the terrible massacre end all hope, all carefree eclipse in favor of horror that only human cruelty can generate.
still remarkable for the very strong emotional impact that captures the viewer, is a well made film that makes us think about the abominations that our species can get to make.
Attractions.

Rating: 3 / 5

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Reviews: Everyone Says I Love You

(Everyone Says I Love You) di Woody Allen - USA 1996 - commedia - 101min.

Vita di una famiglia liberal di New York raccontata dall'adolescente Djuna (Natasha Lyonne): la madre Steffi (Goldie Hawn) si dedica a iniziative benefiche, è divorziata dal primo marito Joe (Allen), padre di Djuna, che vive a Parigi e non riesce a trovare la donna ideale, finché si invaghisce di una turista americana di nome Von (Julia Roberts). Bob (Alan Alda), l'attuale compagno di Steffi, è un democratico convinto che non sopporta la sbandata repubblicana del figlio maschio Scott (Lukas Haas); ha anche un'altra figlia di nome Skylar (Drew Barrymore) promessa sposa di Holden (Edward Norton) ma che si invaghisce the criminal Charles (Tim Roth) and two other, smaller, Lane (Gaby Hoffmann) and Laura (Natalie Portman), both love the same young man. There is also a doting grandfather cared for the home.

musical comedy (choreographed interludes of music style swing 30-40 orchestrated by Dick Hyman) a lot of fun that runs through all three of Allen's favorite cities (NY, Paris, Venice), centered on the disarray that love generates in people's lives. Many elements surreal (the ballet of ectoplasm at all) in a film that wants to be carefree and joyous music. It 's a joy for the ears and eyes, and all your characters are sympathetic and convincing.
The final dance between Allen and Hawn, justly famous, has a magic and simplicity at the same time that moves, and only applies to the entire film.

Rating: 3 / 5

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Review: Vicky Cristina Barcelona

(Vicky Cristina Barcelona) Woody Allen - USA / Spain 2008 - Comedy - 96min.

Two American friends, Vicky (Rebecca Hall), brunette, girlfriend, and under strict moral ideas, and Cristina (Scarlett Johansson), blonde, passionate and romantic, they go to spend your vacation in Barcelona, \u200b\u200bwhere he received a proposal to spend a weekend Oviedo art to eating and making love by a hedonist painter named Juan Antonio (Javier Bardem), things become even more complicated with the arrival on stage of previous mate he messed up the Maria Elena (Penelope Cruz).

Classic comedy with Woody Allen English variant of the setting, which adapt accordingly music and photography, warm and languid.
For the rest there are the usual ingredients: couples who break out, people who find it difficult to weave long-term relationships, people are prey to the feelings and inability to achieve a sustainable balance of mind. All in pleasing tones of a comedy without comedy or sad moments too.
passable, but already seen.

Rating: 2 / 5

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Review: Fourth Commandment

(La Passion Béatrice) Bertrand Tavernier - France 1987 - drama - 131min.

1350. Nelle prime fasi della guerra dei Cent'anni (1337-1453, in cui sovrani inglesi e francesi si contendevano il possesso dei territori francesi) viene fatto prigioniero dei britannici il nobile François de Cortemart (Bernard-Pierre Donnadieu). Dopo una lunga assenza, torna finalmente, assieme al figlio Arnaud (Nils Tavernier) al castello dove da anni li attende trepidante la devota e affezionata figlia Béatrice (Julie Delphy). Il condottiero è però tornato trasformato dal conflitto, crudele e spietato, praticamente folle, abusa della figlia e denigra il figlio, finché Béatrice non deciderà di vendicarsi.

Con questo film Tavernier riflette sull'abominio del male e sull'effetto deleterious that it has on people: those who are victims of evil ends up as the intermediary. This is explicit in both the prologue, which shows the roots of madness in a François infant, and in the epilogue, which rhymes with the beginning and the story ends in a circle, implying that the evil will continue to perpetrate in the future.
With a setting and a photograph of essential cold, the French film conveys a sense of discomfort and disgust, and the ugly story, told in pictures without indulging too much, can cause with its underlying and deep anxiety in many sequences, reaching perhaps 'in the apex of the grotesque "marriage" between father and daughter.
Donnadieu intensity is very deep, ed anche il resto del cast è stato scelto bene.
E' un film disperato e deprimente che fa riflettere sugli abomini compiuti dall'uomo, sia su vasta scala (la guerra) sia nei rapporti interpersonali.

Voto: 3/5

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review: The Addiction - Vampires in New York

di Abel Ferrara - USA 1995 - horror - 82min.

Kathleen (Lily Taylor), studentessa di filosofia, viene avvicinata dalla vampira Casanova (Annabella Sciorra) che la morde, trasformandola in succhiasangue. Kathleen dopo aver imparato a controllare il suo impulso grazie ai consigli del "saggio" Penia (Christopher Walken) cerca la redenzione.

Il tema della presenza del male nel mondo come inevitabile poichè costitutivo della persona umana è abituale in Ferrara, here particularly nihilistic, who says that evil is the real disease that infects the world and which man can not escape, like a drug, then the rejection of evil and redemption seems Christian needing to coincide with the "death" (as it Bad Lieutenant).
Shot in B / N, is a philosophical horror of interesting content that is not always able to visually support the thesis in his narrative (which is very ambiguous in the final).
Interesting, but not very successful.
naturalistic acting, but a bit 'apathy of many characters.

rating. 2.5 / 5

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Resident Evil: Afterlife

Paul WAS Anderson - USA 2010 - action / horror - 97min.

videogame no trace remains, except a few names, a monster made from the last chapter and the look of the bad guys.

Alice (Milla Jovovich) assaults the base of the Umbrella Corp. in Tokyo with his army of clones in the hunt for President Wesker, but injects the antidote to the virus t Remove all power (which does not change much: it still things that I think almost no human could do!). After the battle that ends with the escape of Wesker, Alice goes to Arcadia, a place free from infection, it said in a statement that intercepted radio. Can not find anything, but he meets her friend Claire, but it does not recognize it because it was installed un coso che la controlla mentalmente. Alice la libera dall'affare e  insieme partono per L.A. dove atterrano su un edificio con dei superstiti anch'essi intenzionati a raggiungere Arcadia.
Finale aperto.

L'unica ragione per vedere questo film è rifarsi gli occhi con un 3D ben implementato, che rende ancor più spettacolari le scene d'azione. Proprio la componente action  è stata privilegiata a discapito di quella horror: di zombi se ne vedono pochi. E' valido come intrattenimento visivo, ma rimane un film senza inizio e senza fine, e la cosa infastidisce non poco.
Comparto tecnico valido, recitazione monocorde da parte di tutti.

Voto: 2/5

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review: Matchpoint

di Woody Allen - GB/USA /Lussemburgo 2005 - drammatico - 124min.

Il miglior film di Allen regista, si può annoverare fra i capolavori assoluti del cinema tout-court.

Il giovane irlandese Chris (Jonathan Rhys-Meyers), tennista professionista, si trasferisce a Londra e si iscrive ad un tennis club esclusivo frequentato dalla ricca borghesia, per cercare di tessere rapporti con sfere altolocate. In effetti riesce a conquistare il cuore di Chloe (Emily Mortimer), sorella del suo compagno di gioco Tom (Matthew Goode) diventa amico di famiglia ed ottiene dal padre un posto di rilievo nella sua società. Tutto fila per il meglio finchè Chris non si innamora perdutamente della fidanzata di Tom, Nola (Scarlett Johansson), ragazzetta americana senza arte nè parte ma dal sex-appeal irresistibile. Le conseguenze di questo rapporto saranno terribili e spingeranno il protagonista ad elaborare un terribile piano di omicidio.

Il film è innanzitutto un capolavoro di costruzione narrativa, quindi di sceneggiatura: i personaggi sono tutti ottimamente caratterizzati nei loro aspetti sociali e psicologici. In effetti il personaggio di cui si sa meno è proprio il protagonista, che rappresenta l'arrivismo per eccellenza: garbato nei toni e nei modi, freddo e calcolatore nei rapporti, vuoto nella morale.
La scenografia è ottima e aiuta lo spettatore a calarsi nel mondo lussuoso dell'alta società londinese.
La colonna sonora, interamente composed operatic songs performed by Caruso, is a perfect complement to the unfolding of events.
The photograph is perfect, accurate to the millimeter, without the slightest smear, different from the usual: Remi Adefarasin confers a cold harmony to the composition.
The crucial point on which Allen focuses is the case is important, not fate, but just random, fortuitous concatenation of disparate events that govern our lives. Sometimes it is good sometimes go wrong: sometimes the crimes are punished and sometimes not. There is no higher law, no supreme authority, no divine justice to assign rewards and punishments. In this film the director has expressed all his system of thought with precision, clarity and completeness can not be read into any other film produced to date (I've seen).
Matchpoint is the Bible of atheism, Allen and his prophet.

Rating: 5 / 5

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recesione: Dark Water (2005)

Walter Salles - USA 2005 - drama / horror - 105min.

Japanese remake of Dark Water Hideo Nakata.
Dahlia (Jennifer Connelly) has just separated from her husband, and moved with her daughter in a huge, dilapidated housing complex on Roosevelt Island, NY
The apartment is shabby and the ceiling a bit 'musty because of a leak in plumbing. In the rainy days that followed, Dahlia will have to deal with the vengeful spirit of a mysterious girl who seems to disappear infest the building.

As we all know the American remake are little more than an excuse for people to work in times of crisis, the films themselves are totally unnecessary. This film, though made with care and well-acted, has all the usual defects of the remake made in the USA: smoothing of the mystery in all ways to try to explain every little detail (as if the viewer was deficient and will not get there alone) , introduction of non-required and totally insipid (the absurd rhyme, used countless clichés times) and boring story. You save only a certain atmosphere.

Rating: 2 / 5

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Everything You Always Wanted to Know About Sex * (* But Were Afraid to Ask)

( Evreything You Always Wanted to Know About Sex * (But Were Afraid to Ask) ) Woody Allen - USA 1972 - comic - 88min.

episodic film inspired by the popular book of the same name David Reuben sexologist.

-Aphrodisiacs Work? In
unknown medieval castle, the court jester (Allen) receives the spirit of the deceased father with the task of seducing the lady of the palace, for it turns to a sorcerer who prepares a love potion, but things take a bad fold.

Under the utter nonsense, it's fun but also quite dismal.

-What is sodomy?
A doctor (Gene Wilder) gets in his study reveals that an Armenian shepherd in love with one of his sheep named Daisy. When you show it to him, the doctor takes a tremendous crush on sexy sheep, and are driven by a troubled relationship. After

Black Sheep - Sheep Killer , is another film that will make you see the sheep under very special perspective. Hilarious.

-Why do some women have difficulty reaching orgasm?
In Italy, Faustino (Allen) does not know how to meet the wife of Bologna, apparently frigid. A friend confides that she does not exist frigid di per sé, e lo esorta a trovare la fantasia giusta per stimolarla. Scopre che le piace scopare nei locali pubblici...

Questo frammento ha l'aria di essere un omaggio ai film di Antonioni, per la cura della fotografia, la gestione degli spazi ed i movimenti dei personaggi. Allen ne approfitta per limonare con una bella bionda.

-I travestiti sono omosessuali?
Un'anziana coppia borghese entra in crisi quando si scopre che lui ama vestirsi da donna. Dopo qualche titubanza, la moglie accetta la perversione del marito e ci fanno anche quattro risate sopra.

Forse è l'episodio migliore del lotto, mette in mostra una debolezza umana e come ci si possa passare sopra. Certo, serve molta buona volontà...

-What are the sexual perversions?
Fake TV quiz show called "What's my perversion?", In which several competitors in turn speak of the matter. And 'the episode's weakest and least fun.

studies on sex-reliable?
Inbox villa eminent scientist, a student (Allen) and a comely journalist discovers that the scientist is completely crazy and has tacked a laboratory in which he depraved experiments. the two destroy everything, but from the house on fire out a tit giant breast that slaughters people to death.

Parody of horror fiction of the '50s, only fun if you're in the game.

-What happens during ejaculation?
That is the approach of a sexual man to a woman seen from inside the human body.

One of the most successful episodes, full of gags and found insane.

Conclusion: typical comedy idiot the coach first manner, the quality of the episodes is fluctuating, but the film is an excellent opportunity to get a laugh.

Rating: 2 / 5

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review: Zelig

Woody Allen - USA 1983 - comedy / mockumentary - 79min.

It 's a fake documentary set in the thirties in New York on Leonard Zelig, jew, who developed the incredible ability to transform into any type of individual is equal before him; scientists studying the case of Zelig interpret the behavior as a psychological mechanism to try to be accepted by the community. The doctor who looks after him, Eudora Fletcher (Mia Farrow), able to treat him and marry him. The whole story is told by a narrator television documentary style, complete with faux vintage footage and interviews with personalities in the intellectual part of them the same.

It 's the most original film of Allen, a masterpiece of technology: thanks to the excellent special effects and an amazing assembly is credibilissima historical reconstruction. It 's a fairly complex movie that's not clear where he wants to end up, perhaps it is the History of the difficulty of integration of Jews into American society?

The suspicion is that it is more like a performance by the egomaniac genius of the director and his overflowing imagination. To limit the exercise of style, is a film to take or leave.

Rating: 3 / 5